If you're looking up Adam Howard and his work with The New Yorker, you're probably interested in one of public radio's most talented media professionals. As a Senior Producer of The New Yorker Radio Hour, Howard has built a diverse career that spans TV, radio, digital media, and even the art world.
Who is Adam Howard?
Adam Howard is a modern multimedia journalist who feels just as comfortable behind a microphone as he does curating art shows or producing engaging podcasts. His current job at The New Yorker Radio Hour puts him right where quality journalism meets accessible storytelling, turning the magazine's famous reporting into audio stories.
He lives in Brooklyn, New York, with his wife Elizabeth Rosado, their daughters Gilda and Murphy, and their dog Cookie. His life in New York City often shapes how he approaches stories, especially those about urban communities and working families.
His Career Path: From NBC to The New Yorker
TV and Digital Media Experience
Howard started his media career with almost ten years at NBC News as an editor and reporter. This gave him a solid foundation in traditional broadcast journalism, which later helped him excel in podcast and radio production. He also contributed to MSNBC, gaining experience in political and social commentary that still influences his work today.
He's written for various outlets like The Daily Beast and Playboy, showing his ability to adapt his voice for different audiences. Other publications he's contributed to include theGrio, AlterNet, and The Nation, which focus on progressive politics and social justice.
The Samantha Bee Years
Before joining The New Yorker Radio Hour, Howard spent five seasons as a Senior Associate Producer on Full Frontal with Samantha Bee. This role was key in developing his skills in comedy-driven political commentary on one of TV's top late-night shows.
He also co-created and executive produced the Full Release with Samantha Bee podcast (later renamed Choice Words), which prepared him well for his current podcast and audio storytelling work.
What He Does Now at The New Yorker Radio Hour
Senior Producer Role
As a Senior Producer, Howard helps turn the magazine's written journalism into engaging audio content. The show releases new episodes every Tuesday and Friday, requiring close coordination with writers, hosts, and technical teams to keep up its high standards.
Recently, he's worked on investigative stories like one about federal employees speaking out against budget cuts during the Trump administration through a platform called "We the Builders." This shows his skill in finding sources willing to talk about sensitive political issues.
Notable Recent Work
One standout story involved interviews with federal employees affected by mass dismissals under the Trump administration. He spoke with Kate Green, who recently left federal service, and a software developer using the pseudonym "Milo" to stay anonymous while still working for the government. This story highlights Howard's knack for uncovering human stories within bigger political issues.
The piece shed light on how over 100, federal workers were dismissed, emphasizing the important but often unseen roles these employees play, like USDA inspectors who ensure food safety.
Personal Stories and Family Ties
The Iran Hostage Crisis Connection
One of Howard's most personal stories involves his father, Reverend M. William Howard Jr., who was invited to perform Christmas services for American hostages during the Iran hostage crisis. This family history gives Howard a unique view of how personal and political stories connect.
Howard reported this story for The New Yorker Radio Hour, showing how his father and other American clergy were invited to Tehran because of their progressive reputations. This background likely shapes Howard's approach to political reporting, understanding how individual actions can influence big historical events.
Beyond Journalism: Art and Curation
Cultural Curation
Howard's interests go beyond journalism into cultural curation and art. He's curated exhibitions on topics like blaxploitation cinema history, the Attica prison uprising, and Nike's brand evolution for the Poster House museum in New York City.
This work shows his ability to research and present complex cultural topics to the public, skills that also benefit his journalism. The range of subjects—from film history to social justice to corporate branding—reflects his wide interests and cultural awareness.
Pop Art and Performance
Howard also creates pop art and has hosted special screenings at Brooklyn venues like the Alamo Drafthouse and Nitehawk cinemas. He's appeared as a performer and artist in shows like 'Kevin Geeks Out' and 'Picture This.'
This creative side gives Howard insight into how media and art overlap, which likely influences his audio storytelling and podcast work.
The New Yorker Radio Hour: Show Context
Format and Reach
The New Yorker Radio Hour, a collaboration between WNYC Studios and The New Yorker magazine, is one of public radio's most successful print-to-audio shows. It combines the magazine's deep reporting with the immediacy and intimacy of radio storytelling.
Howard's job includes not only producing content but also choosing which New Yorker stories will work well in audio form. This means understanding both the magazine's editorial standards and the unique needs of radio storytelling.
Recent Highlights
Under Howard's production, the show has covered major issues like Trump administration policies, abortion rights, and cultural criticism. His work on the federal employee story shows the show's dedication to exploring how policy changes affect people's lives.
Industry Impact and Recognition
Multimedia Expertise
Howard is part of a new wave of media professionals who move easily between different platforms and formats. His experience includes TV production, podcast creation, digital writing, and radio journalism—skills that are increasingly important in today's diverse media landscape.
His personal website, theadamhowardproject.com, showcases his wide range of creative work, from journalism to pop art. This multimedia approach reflects how media professionals today build and maintain their careers.
Frequently Asked Questions
What is Adam Howard's educational background?
While specific details aren't available, his career path suggests strong training in journalism and media, likely through formal education and hands-on experience at major news organizations.
How can I listen to Adam Howard's work?
The New Yorker Radio Hour is available on all major podcast platforms and airs on public radio stations nationwide. New episodes come out every Tuesday and Friday.
Does Adam Howard have social media presence?
You can follow his professional work through The New Yorker Radio Hour and his personal website at theadamhowardproject.com.
Adam Howard's career shows how modern media pros need to be adaptable, creative, and curious about politics and culture. His success at The New Yorker Radio Hour proves that the best audio journalism mixes solid reporting with great storytelling—skills he's built over years across many platforms.
With his background in TV, digital media, art curation, and radio journalism, Howard brings a unique perspective to one of America's top media outlets. His work continues to reflect The New Yorker's commitment to thoughtful, in-depth reporting that helps audiences understand complex issues today.
